PLAY MUSIC (GARY-MORRIS-LAGOS DISCO MACHINE)

MAIL AND GUARDIAN TOP 200

I have just been selected as on of the Mail and Guardian top 200 young South Africans for 2011
What an honour, :)
(Think I made my mom proud with this one)


/A WORD OF ART RESIDENCY

Over the last 5 months I have been hosting various creative,inspiring and really just nice people(artists) from around the world,as part of my new /A WORD OF ART residency program,
What an amassing opportunity to see my own country through new eyes,and learn so much from such beautiful people.

See more here:
http://www.a-word-of-art.co.za/art-residency/


I ART SA PROJECT

I conceptualised and curated a community mural project,check it here:

all originals:i art sa community mural project curated by /a word of art
http://www.i-art-sa-project.com/

Video courtesy of Mahkulu Productions,
This was my wall:


COECHELLA

Coechella was fun,
I painted 2 Impalas,I thought that was suitable.
I saw amassing bands,and met crazy people,.
I will be posting a “Travel Diary” on Dontparty.com soon,
watch this space,,,,


L.A /MANUAL ARTS HIGH

Today I was fortunate enough to go to Manual Arts High in South Central LA,(A really rough part of town because of the amount of gangs,drugs and violence)
Mark the art teacher(,a super cool guy who doesn’t use email or cell phone or anything digital in his life,) has been inviting artist to come and paint within the school
It was surreal to see such great artist from all over the world making there mark on the school.
I had read about the school online and was so excited to actually visit and paint,
I got the chance to speak to the kids and see how the art has effected them from there perspective,
It was a really great day
Read more about the school here http://www.writeonafrica.org/2011/02/19/mural-arts-high-school/
Tomorrow off to Coechella for a weekend of music and painting,
http://thedolab.com/blog/2011/04/01/big-international-coachella-art-lineup/

Marc in front of one of Kofie ones works

ROA

In class with mark talking to the kids about how the murals effect them





And this is what I painted


INSPIRE OURSELVES TO INSPIRE EACH-OTHER

FREDDY SAM x RVCA ANP MURAL

Article taken from here;
http://rvcasa.com/surfing/freddy-sam-rvca-anp-mural-2
Local street artist Freddy Sam, founder A Word of Art Gallery and Write on Africa, recently took on a huge wall in Woodstock. The mural was part of the RVCA Artist Network Program and features portraits, created as an inspirational source, Ricky tells us, “The portraits are of Willard and Juma, two guys that work with me from Zimbabwe, that are going through some really hard times in their lives at present,” I wanted this wall to inspire them.

Juma and Willard are two Zimbabwean creatives who have been roughing it out in Cape Town for the last year and a half until recently, they acquired a studio in Woodstock from which to continue their crafting discipline.

For the last year and a half two creative Zimbabweans, Juma and Willard, have hustled their way from the robots on Roeland Street to a studio in Woodstock, Cape Town, crafting everything from bags made out of old t-shirts to recycled crate-chairs for corporate clients like Redbull. Not content to just be small time capitalists, from Mondays to Fridays they run art and craft workshops for 100 kids in Khayelitsha and on Saturday mornings they teach conversational English with a group called Chatterbox (made up of primary school kids). This is their story.

Juma, when did you leave Zimbabwe and move to South Africa?
In 2006 I moved to Khayelitsha, on the outskirts of Cape Town, and worked as a bricklayer until December 2007. I then returned to Zimbabwe to set up my own business. This proved to be impossible due to the country’s economic situation and so I went back to Khayelitsha in March 2008, to set up a craft venture.



Were you successful?
Before the business could start growing I lost everything in the xenophobic attacks of May 2008.

What happened?
There had been talk for a few weeks that these attacks were going to happen. Eventually, foreigners were told to leave Khayelitsha on the coming Saturday. Unfortunately however, on the Friday, some high school kids started the attacks, while everyone was away at work. I was in Bellville at the time.

Did you go back to Khayelitsha when you heard this?
The taxi driver warned me about the danger of going back, but I had to see if I could save any of my things. I saw streets burning as he drove me to the Khayelitsha police station. Inside it was chaos. There were so many of us foreigners. Some with bags, many with nothing. I tried to get a police officer to come with me to my house to collect my possessions. None were willing, because of the danger. That is when I realised that I had nothing in the world. Not even five cents in my pocket.

What happened next?
Later on in the evening we, the foreigners, were driven in police vehicles to Desmond Tutu Hall camp. There were people from all over Africa. It was so full that people had to make use of any space available. Even the corridors and bathrooms were crowded. I kept on closing my eyes to see if I was dreaming. Three days later people from local government came around and appointed Willard and myself to be the group leaders. Willard was the head and I was the secretary. This is how we met.

Willard, what was your story up until this point?
I was devastated by what had happened. This was not the first time in my life that I had lost everything I owned. I even contemplated suicide because I could not understand how so much misfortune could have befallen me.

Tell us about the previous times?
When I finished school there was no money to study further at college. So, in 2000, I started buying new and second hand clothing in Mozambique and Zambia to sell at flea markets in Harare. In 2004, under the guise of taxation laws, the Zimbabwean government closed the flea markets and destroyed many homes, including my own, which they claimed were not up to specification. All the property and market areas were given to Chinese businesses. I lost every thing and had to sleep on the streets for three months.
Eventually I managed to restart the business. However, when crossing the boarder to Zambia, to buy clothing for a client, I was detained for 5 days, had my passport taken away for three months and all my money was confiscated (the equivalent of R8000). I was informed that I was not allowed to take so much money out of the country and was threatened because I refused to join the ruling ZANU PF. On my release, I had to borrow money from my sister to pay back the client.
On another buying trip, this time to Mozambique, I was deported back to Zimbabwe, even though all my paperwork was legitimate. The Mozambican police claimed that they would send all my confiscated goods and money back to Zimbabwe. It never arrived. I was so upset by this, that I lead a protest, with others to whom this had happened, in front of the Mozambican embassy in Harare. I never got to the bottom of why I was deported, but believe that it was because the Zimbabwean government wanted everyone to be back in the country for the land grabs.

How did you manage to get through the xenophobic attacks in South Africa?
Willard: Well, both Juma and I started to lead the group of people in Desmond Tutu Camp because it was the only way to cope with the stress. We needed something to do to take our minds off things. The best way to do this is to help others and so we started making a list of everyone in the camp and what their immediate needs were.

Juma: There were people from Tanzania, Malawi, Ghana, Angola, Cameroon, Mozambique, Zimbabwe and Zambia. For the next 4 months we helped deliver babies, women who miscarried, buried the dead and aided the sick. We also started connecting with NGO’s and repatriating people.

Willard: We were lucky to have the help of Ikamva, especially Joy Olivier. The organisation managed to raise R76648.95, which was used to feed people and reintegrate them into communities such as Khayelitsha. We were the last to leave Desmond Tutu Hall. You can read about our time there on a blog that was created.

Juma: We both moved back to Khayelitsha and were given R1352.18 from the fund to set up an arts and crafts business. JDI http://www.jdi.org a group of philanthropic professionals in Cape Town also donated tools to us. That was the beginning of the business we have today.
Willard: Joy Olivier also managed to get us on to a one week Lucca Leadership programme. This proved to be fruitful in many ways. We met Ricky Lee Gordon from A Word of Art and he has been instrumental in getting our studio space in the


AN INTRODUCTION

Hi so i paint as Freddy Sam

I am 26 years old; I am an Artist and Curator. It is my intent to inspire ,through art
Founder of:
/A WORD OF ART and Write on Africa.

/A WORD OF ART:
‘Art space , Art projects and International art residency ‘, founded in 2008. DEDICATED TO CELEBRATING NEW ART AND EMERGING YOUNG ARTISTS.
I act as a director, curator

Woodstock Industrial Centre
Over one year ago I moved into a derelict industrial building in the heart of Woodstock .CT, together with a willing landlord I have now brought in over 75 creative tenants, the building now has a coffee show, skate park ,bookshop, hosts talks, exhibitions ,movie nights, dinners and drawing evenings. And along side my gallery we have now just launched a international artist in residency program.

WRITE ON AFRICA
Five years ago, I created an initiative called Write On Africa ,A community art and inspiration project, by which we create murals and workshops in poor community’s to uplift and inspire social change!
Our philosophy is:” Inspire ourselves to inspire others to inspire change”

FREDDY SAM
This is my two grandfathers names put together and the name I have given myself to represent me as a artist. I have been painting murals on the street for over 12 years and is the core reason for my humility and respect towards art as painting on the street for the everyday man is a experience and satisfaction that I feel can not be replicated by any other art-form. It is my intention to explore my community and surrounding using public art as a tool to communicate and connect with people from all walks of life as I am more interested in the experience than the result.

Heres a nice video